Digital look-alikes - Revision history

Juho Kunsola: linking to the Stop-Synthetic-Filth.org for most recent information

2021-02-02T17:17:02Z

linking to the Stop-Synthetic-Filth.org for most recent information

← Older revision		Revision as of 17:17, 2 February 2021
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			<center><big>Latest version of this article can be found in [https://stop-synthetic-filth.org/wiki/Synthetic_human-like_fakes#Digital_look-alikes '''Synthetic human-like fakes''' § '''Digital look-alikes''' at the stop-synthetic-filth.org wiki]</big></center>

	[[File:Deb-2000-reflectance-separation.png\|thumb\|460px\|right\|Image 1: Separating specular and diffuse reflected light		[[File:Deb-2000-reflectance-separation.png\|thumb\|460px\|right\|Image 1: Separating specular and diffuse reflected light

Juho Kunsola: unredirring link to How to protect yourself and others from covert modeling

2019-10-13T13:42:07Z

unredirring link to How to protect yourself and others from covert modeling

← Older revision		Revision as of 13:42, 13 October 2019
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	----		----
	= See also in Ban Covert Modeling! wiki =		= See also in Ban Covert Modeling! wiki =
	* [[How to protect yourself from covert modeling]]		* [[How to protect yourself and others from covert modeling]]
	* [[Digital sound-alikes]]		* [[Digital sound-alikes]]

Juho Kunsola: + higher resolution pic

2019-05-08T13:08:37Z

+ higher resolution pic

← Older revision		Revision as of 13:08, 8 May 2019
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	[[File:~~Deb2000~~-~~specular~~-~~and~~-~~diffuse-reflection-low-res-rip~~.png\|thumb\|460px\|right\|Image 1: Separating specular and diffuse reflected light		[[File:Deb-2000-reflectance-separation.png\|thumb\|460px\|right\|Image 1: Separating specular and diffuse reflected light

	<br/>		<br/> <br />

	(a) Normal image in dot lighting		(a) Normal image in dot lighting

Juho Kunsola: slight reorg

2019-04-07T21:31:09Z

slight reorg

← Older revision		Revision as of 21:31, 7 April 2019
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	----		----
			= See also in Ban Covert Modeling! wiki =
			* [[How to protect yourself from covert modeling]]
			* [[Digital sound-alikes]]

	= Footnotes =		= Footnotes =
	<references group="footnote" />		<references group="footnote" />
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	<references />		<references />

	~~= See also in Ban Covert Modeling! wiki =~~
	* [[How to protect yourself from covert modeling]]
	* [[Digital sound-alikes]]

	= Transcluded Wikipedia articles =		= Transcluded Wikipedia articles =

Juho Kunsola: reorg so that the transcluded Wikipedia article(s) appear after all the local content

2019-04-07T21:29:59Z

reorg so that the transcluded Wikipedia article(s) appear after all the local content

← Older revision		Revision as of 21:29, 7 April 2019
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	----		----
	= Footnotes =		= Footnotes =
	<references group="footnote"/>		<references group="footnote" />

			= References =
			<references />

	~~----~~
	= See also in Ban Covert Modeling! wiki =		= See also in Ban Covert Modeling! wiki =
	* [[How to protect yourself from covert modeling]]		* [[How to protect yourself from covert modeling]]
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	== Human image synthesis article transcluded from Wikipedia ==		== Human image synthesis article transcluded from Wikipedia ==
	{{wikipedia::human image synthesis}}		{{wikipedia::human image synthesis}}

	~~= References =~~
	~~<references/>~~

Juho Kunsola: Putting footnote(s) into + = Footnotes = +

2019-04-07T21:28:23Z

Putting footnote(s) into <ref group="footnote"></ref> + = Footnotes = + <references group="footnote"/>

← Older revision		Revision as of 21:28, 7 April 2019
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	= The problems with digital look-alikes =		= The problems with digital look-alikes =

	Extremely unfortunately for the humankind, organized criminal leagues, that posses the '''weapons capability''' of making believable looking '''synthetic pornography''', are producing on industrial production pipelines '''synthetic terror porn'''¹ by animating digital look-alikes and distributing it in the murky Internet in exchange for money stacks that are getting thinner and thinner as time goes by.		Extremely unfortunately for the humankind, organized criminal leagues, that posses the '''weapons capability''' of making believable looking '''synthetic pornography''', are producing on industrial production pipelines '''synthetic terror porn'''<ref group="footnote" name="About the term synthetic terror porn">It is terminologically more precise, more inclusive and more useful to talk about 'synthetic terror porn', if we want to talk about things with their real names, than 'synthetic rape porn', because also synthesizing recordings of consentual looking sex scenes can be terroristic in intent.</ref> by animating digital look-alikes and distributing it in the murky Internet in exchange for money stacks that are getting thinner and thinner as time goes by.

	These industrially produced pornographic delusions are causing great humane suffering, especially in their direct victims, but they are also tearing our communities and societies apart, sowing blind rage, perceptions of deepening chaos, feelings of powerlessness and provoke violence. This '''hate illustration''' increases and strengthens hate thinking, hate speech, hate crimes and tears our fragile social constructions apart and with time perverts humankind's view of humankind into an almost unrecognizable shape, unless we interfere with resolve.		These industrially produced pornographic delusions are causing great humane suffering, especially in their direct victims, but they are also tearing our communities and societies apart, sowing blind rage, perceptions of deepening chaos, feelings of powerlessness and provoke violence. This '''hate illustration''' increases and strengthens hate thinking, hate speech, hate crimes and tears our fragile social constructions apart and with time perverts humankind's view of humankind into an almost unrecognizable shape, unless we interfere with resolve.
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	----		----
	Footnote 1. It is terminologically more precise, more inclusive and more useful to talk about 'synthetic terror porn', if we want to talk about things with their real names, than 'synthetic rape porn', because also synthesizing recordings of consentual looking sex scenes can be terroristic in intent.		= Footnotes =
			<references group="footnote"/>

	----		----
	= See also in Ban Covert Modeling! wiki =		= See also in Ban Covert Modeling! wiki =

Juho Kunsola: /* Introduction to digital look-alikes */ changed a redlink to Glossary#Reflectance capture

2019-04-07T20:56:33Z

Introduction to digital look-alikes: changed a redlink to Glossary#Reflectance capture

← Older revision		Revision as of 20:56, 7 April 2019
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	= Introduction to digital look-alikes =		= Introduction to digital look-alikes =

	In the cinemas we have seen digital look-alikes for over 15 years. These digital look-alikes have "clothing" (a simulation of clothing is not clothing) or "superhero costumes" and "superbaddie costumes", and they don't need to care about the laws of physics, let alone laws of physiology. It is generally accepted that digital look-alikes made their public debut in the sequels of The Matrix i.e. [[w:The Matrix Reloaded]] and [[w:The Matrix Revolutions]] released in 2003. It can be considered almost certain, that it was not possible to make these before the year 1999, as the final piece of the puzzle to make a (still) digital look-alike that passes human testing, the [[reflectance capture]] over the human face, was made for the first time in 1999 at the [[w:University of Southern California]] and was presented to the crème de la crème		In the cinemas we have seen digital look-alikes for over 15 years. These digital look-alikes have "clothing" (a simulation of clothing is not clothing) or "superhero costumes" and "superbaddie costumes", and they don't need to care about the laws of physics, let alone laws of physiology. It is generally accepted that digital look-alikes made their public debut in the sequels of The Matrix i.e. [[w:The Matrix Reloaded]] and [[w:The Matrix Revolutions]] released in 2003. It can be considered almost certain, that it was not possible to make these before the year 1999, as the final piece of the puzzle to make a (still) digital look-alike that passes human testing, the [[Glossary#Reflectance capture\|reflectance capture]] over the human face, was made for the first time in 1999 at the [[w:University of Southern California]] and was presented to the crème de la crème
	of the computer graphics field in their annual gathering SIGGRAPH 2000.<ref name="Deb2000">		of the computer graphics field in their annual gathering SIGGRAPH 2000.<ref name="Deb2000">
	{{cite book		{{cite book

Juho Kunsola: added some headings

2019-04-07T20:54:41Z

added some headings

← Older revision		Revision as of 20:54, 7 April 2019
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	When the camera does not exist, but the subject being imaged with a simulation of a (movie) camera deceives the watcher to believe it is some living or dead person it is a '''digital look-alike'''.		When the camera does not exist, but the subject being imaged with a simulation of a (movie) camera deceives the watcher to believe it is some living or dead person it is a '''digital look-alike'''.

			= Introduction to digital look-alikes =

	In the cinemas we have seen digital look-alikes for over 15 years. These digital look-alikes have "clothing" (a simulation of clothing is not clothing) or "superhero costumes" and "superbaddie costumes", and they don't need to care about the laws of physics, let alone laws of physiology. It is generally accepted that digital look-alikes made their public debut in the sequels of The Matrix i.e. [[w:The Matrix Reloaded]] and [[w:The Matrix Revolutions]] released in 2003. It can be considered almost certain, that it was not possible to make these before the year 1999, as the final piece of the puzzle to make a (still) digital look-alike that passes human testing, the [[reflectance capture]] over the human face, was made for the first time in 1999 at the [[w:University of Southern California]] and was presented to the crème de la crème		In the cinemas we have seen digital look-alikes for over 15 years. These digital look-alikes have "clothing" (a simulation of clothing is not clothing) or "superhero costumes" and "superbaddie costumes", and they don't need to care about the laws of physics, let alone laws of physiology. It is generally accepted that digital look-alikes made their public debut in the sequels of The Matrix i.e. [[w:The Matrix Reloaded]] and [[w:The Matrix Revolutions]] released in 2003. It can be considered almost certain, that it was not possible to make these before the year 1999, as the final piece of the puzzle to make a (still) digital look-alike that passes human testing, the [[reflectance capture]] over the human face, was made for the first time in 1999 at the [[w:University of Southern California]] and was presented to the crème de la crème
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	{{Q\|Do you think that was [[w:Hugo Weaving\|Hugo Weaving]]'s left cheekbone that [[w:Keanu Reeves\|Keanu Reeves]] punched in with his right fist?\|Trad\|The Matrix Revolutions}}		{{Q\|Do you think that was [[w:Hugo Weaving\|Hugo Weaving]]'s left cheekbone that [[w:Keanu Reeves\|Keanu Reeves]] punched in with his right fist?\|Trad\|The Matrix Revolutions}}

			= The problems with digital look-alikes =

	Extremely unfortunately for the humankind, organized criminal leagues, that posses the '''weapons capability''' of making believable looking '''synthetic pornography''', are producing on industrial production pipelines '''synthetic terror porn'''¹ by animating digital look-alikes and distributing it in the murky Internet in exchange for money stacks that are getting thinner and thinner as time goes by.		Extremely unfortunately for the humankind, organized criminal leagues, that posses the '''weapons capability''' of making believable looking '''synthetic pornography''', are producing on industrial production pipelines '''synthetic terror porn'''¹ by animating digital look-alikes and distributing it in the murky Internet in exchange for money stacks that are getting thinner and thinner as time goes by.

Juho Kunsola: + = Transcluded Wikipedia articles + == Human image synthesis article transcluded from Wikipedia == + {{wikipedia::human image synthesis}} ($wgEnableScaryTransclusion = true; works now that the Special:Interwiki was adjusted to allow transclusion))

2019-04-07T20:23:38Z

+ = Transcluded Wikipedia articles + == Human image synthesis article transcluded from Wikipedia == + {{wikipedia::human image synthesis}} ($wgEnableScaryTransclusion = true; works now that the Special:Interwiki was adjusted to allow transclusion))

← Older revision		Revision as of 20:23, 7 April 2019
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	Footnote 1. It is terminologically more precise, more inclusive and more useful to talk about 'synthetic terror porn', if we want to talk about things with their real names, than 'synthetic rape porn', because also synthesizing recordings of consentual looking sex scenes can be terroristic in intent.		Footnote 1. It is terminologically more precise, more inclusive and more useful to talk about 'synthetic terror porn', if we want to talk about things with their real names, than 'synthetic rape porn', because also synthesizing recordings of consentual looking sex scenes can be terroristic in intent.
	----		----
	== See also in Ban Covert Modeling! wiki ==		= See also in Ban Covert Modeling! wiki =
	* [[How to protect yourself from covert modeling]]		* [[How to protect yourself from covert modeling]]
	* [[Digital sound-alikes]]		* [[Digital sound-alikes]]

	=~~= See also in~~ Wikipedia ==		= Transcluded Wikipedia articles =
	* [[w:Human image synthesis]] describes the historic build up to digital look-alikes and lots of examples you can view.
	* [[w:Light stage]] is an instrument to capture (among other things) the reflectance of the subject

	== References ==		== Human image synthesis article transcluded from Wikipedia ==
			{{wikipedia::human image synthesis}}

			= References =
	<references/>		<references/>

Juho Kunsola: + File:BlV1999-morphable-model-till-match-low-res-rip.png

2019-04-03T16:03:01Z

+ File:BlV1999-morphable-model-till-match-low-res-rip.png

← Older revision		Revision as of 16:03, 3 April 2019
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	[[File:Deb2000-specular-and-diffuse-reflection-low-res-rip.png\|thumb\|~~600px~~\|right\|Image 1: Separating specular and diffuse reflected light		[[File:Deb2000-specular-and-diffuse-reflection-low-res-rip.png\|thumb\|460px\|right\|Image 1: Separating specular and diffuse reflected light

	<br/>		<br/>
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	<br/><br/>		<br/><br/>
	Original image by Debevec et al. – Copyright ACM 2000 – http://dl.acm.org/citation.cfm?doid=311779.344855 – Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page.]]		Original image by Debevec et al. – Copyright ACM 2000 – http://dl.acm.org/citation.cfm?doid=311779.344855 – Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page.]]
	When the camera does not exist, but the subject being imaged with a simulation deceives the watcher to believe it is some living or dead person it is a '''digital look-alike'''.
			[[File:BlV1999-morphable-model-till-match-low-res-rip.png\|thumb\|left\|460px\|Image 2 (low resolution rip)
			<br/><br/>(1) Sculpting a morphable model to one single picture
			<br/><br/>(2) Produces 3D approximation
			<br/><br/>(4) Texture capture
			<br/><br/>(3) The 3D model is rendered back to the image with weight gain
			<br/><br/>(5) With weight loss
			<br/><br/>(6) Looking annoyed
			<br/><br/>(7) Forced to smile

			Image 2 by Blanz and Vettel – Copyright ACM 1999 – http://dl.acm.org/citation.cfm? doid=311535.311556 – Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page.]]

			When the camera does not exist, but the subject being imaged with a simulation of a (movie) camera deceives the watcher to believe it is some living or dead person it is a '''digital look-alike'''.